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Taylor swift oops face 19897/26/2023 By the time “New Romantics” was lifted from the deluxe edition as a final single, Taylor was already touring the record that reshaped her future. The faultless campaign continued with “Style” and “Out Of The Woods” – softer compositions that showed Taylor was bringing her old audience with her too. 2015 MTV Video Awards champion “Bad Blood” laid another demon to bed, with its superhero script riffing on the alleged rivalry between Taylor and some of her peers. With an increasingly confident video persona, it seemed the singer-songwriter was finally starting to fight back and control her own narrative. “Blank Space,” another co-write with Shellback – who worked with Max Martin on six of 1989’s songs – was a sharp ballad with a great video that cleverly played on Swift’s then-almost-suffocating and ridiculous caricature as a serial man-eater. Those singles of course also did rather solid business in their own right – “Blank Space” and the Kendrick Lamar collaboration, “Bad Blood,” both topped the US charts, while “Style” and “Wildest Dreams” also made the US Top 10.Ĭlick to load video Pop artistry at a formidable peak Subsequent singles fueled its march, with more than 10 million copies of the album shifted worldwide to date. Selling more than a million copies in its first seven days in the US, it was the sort of performance the industry had rather assumed was all in the past. Its pacey synth riff was unlike anything she had tried before.ġ989 broke new ground in its opening weeks. Hitmaker Ryan Tedder, of OneRepublic, contributed two songs: “Welcome To New York” and “I Know Places.” The latter is a particularly underrated electro ballad, which offered an early marker towards the more confrontational tone of 2017’s “Look What You Made Me Do.” Opening the album, “Welcome To New York” also boldly signaled Swift’s radical new sound. An appreciation of Fine Young Cannibals sparked a new collaboration with Jack Antonoff on “I Wish You Would” – a stuttery throwback to the synth-heavy but soulful success of the British trio. Across 13 tracks on the standard edition of the album, 1989 (released on October 27, 2014, and named after the year Swift was born) seized cleverly on the sounds that shaped one of music’s most charismatic decades. It proved a fitting insight into the collection that followed. 1, becoming Swift’s second single to scale that summit. The single hit the charts in late summer 2014 and topped them in most major markets, including the US, where it entered at No. “Shake It Off’’s immediate success proved how much everyone bought into that message. “You have to have more fun than they do.” It sounded like a mission statement. You have to live your life in spite of people who don’t understand you,” she told the ABC network. Click to load video “You have to live your life”
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